When I Come Home To You

When I Come Home To You - Ren Michael - Original song - Ren Michael music - original lyrics - original work

Ren Michael · When I Come Home To You Drum.beat The sound is something of dreams, unusual yet deeply familiar. of something seemingly far but well within. Its like this, I write of the cosmos the music reflecting the land, the city the elements. As I am a force of nature, we are nature All …

Easter Weekend

I paint fire and in mud. I paint reds and greens and I make love I am the artist in your dreams, far at the end of the street in the dark alleyways and star-lit night scapes. I am in relation with man and nature, the city and the wild. For I am all of …

You know the title

No more fear. Fear is a con offered by those who don’t realize they’re peddling it to begin with, there's too much fear so please lead with love No more fear. We can identify a problem But don’t have to lose our head or compassion and respect love spirit If we are the problem Then …

Paradise.lies

Paradise lies belongs to us all, and If He were alive He’d be in the slums, the projects, wandering in the food deserts of the world stepping foot in mega churches only to tell everyone in them how full of *it they are he'd be outlawed, named a disturber of the peace now just as …

At an ol’ familiar haunt

I just had one of the most fantastic breakfasts of my life, and After a good long wait I’m a changeling back on the scene not a moment too soon here with my people, this Saturday morning through the early afternoon sipping my coffee late in October, for Halloween’s a-coming and the air is cool …

The Only Sin I Ever Committed

The only sin I ever committed was stepping away from who I am as if it was ever necessary in order to love others. We create, express who we are and meet at the overlap The courtyard we call democracy jazz love. -- The world’s customs and perspectives are changing, the resistance to it is …

for Louis

as you march 'long the block through the alleys of your hometown the walls of the battlefield frame the arrival of your song, as the mighty trumpet sounds for Ella Mae Armstrong this young boy a child favorite son of New Orleans leads the choir his first band, hey! off the banks of the Mississippi …

total.bliss

Total bliss is recognition of the unity in all things -where the danger of grouping is that it’s limiting -universal truths needn’t be pigeonholed, exclusive This existence belongs to all The difference is who sees and who does not that there is no difference at all except for that which defines the individual making each …

Amadeus LIVE

LA taxi cab latin beats thundering beneath as the sun sets over town leading to the Hollywood Bowl it's late in summer at the amphitheater this old film feels brand-new the orchestra readies neath the silver screen for Amadeus: life of a jealous colleague and conspirator we’re here people of the city gathered again both …

The Circle (Amen)

One of the most important things anyone can learn right off the bat is the difference between taking the work seriously and the self seriously and to operate from the former rather than the latter. In fact learning to not take oneself so seriously will be better for the work, which will in turn better …

You Are America

People are losing the human touch that sense of the real visceral rapturous experience. They long for it again. Bring us an acoustic guitar and light a match to the fire pit, turn over our furniture and let’s dance around the bonfire. We’ll paint tomorrow morning and get to work I’ll make the coffee You …

Graveyard Gangster Film

Last night I saw a film A gangster film in a graveyard. no shit, with wild children seeking to be yet still tamed without seeing but knowing. Shall we dance just like this? Liberated and in-step with ahead and behind and top and bottom where all are merely one repeating in breathing, rhyming in its …

Letters #2: Influences

When you’re starting out you may find that there are many writers and musicians whose work you dig, but I'd keep an eye out for those who really knock your socks off, who make you want to dance naked in the street, howl at the moon and make love to strangers; who, when you read …

I’m going back in

I’m going back in where things are seen by stepping back and laying low staying loose, ready to go this is only a pome, but we’re on the move never free bound to earth to make the scene just breath and see dance and dwell right in your beat there you’ll see it’s you and …

Who Profits?

Words & Music by Ren Michael I need a good friend Who goes on more than instinct Though when you show me the source Don’t pretend not to blink You claim to report But now you tell me what to think I’m over it man I’m here the brink I’ll see you at home I’ll …

I think I’ll be living in Santa Fe pretty soon

I think I’ll be living in Santa Fe soon picture me walking ‘long a New Mexico road that Pueblo adobe & streetlights of candlit brown paper bags on a winters night me and the moon and You standing before St. Francis cathedral yea I can see it I can see that being my little midnight …

I write on the backs of napkins

I write on the backs of napkins I write on scraps of tissue paper for you ought to not sweat the fancy jet the time yet, no or the old lessons of propriety don't stack that shelf full of fancy volumes, neither no, don't overload the head with journals with their pages crisp and clean …

Stationhouse Blues

This is the first song that I recorded, chopped and produced on my own, the first that I had fully ready to go even before the debut album,   However, at the time, it didn’t quite fit with the rest of the songs on deck, and I was more keen on releasing a full album …

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